Friday, September 4, 2009

Coated fabrics play a part in miracle escape

Most aircraft passengers pay little attention to the safety briefings given at the beginning of every flight. Accidents are extremely rare, but when they do occur, all safety procedures must be adhered to. The recent crash in the Hudson River proved the safety equipment was ready and reliable. Immediately following take-off, US Airways flight 1549 lost both its engines. The lives of the 150 passengers depended on safety procedures going as planned. Crucially, the pilot landed the stricken aircraft safely on the Hudson River – allowing the passengers to subsequently be evacuated down the escape slides manufactured by Air Cruisers using coated fabrics from Trelleborg. The incident took place on January 15 this year. "It wasn't until the day after that Air Cruisers informed us that the aircraft was fitted with their escape slides," says Keith Dye, President of Trelleborg Coated Systems US. "We are all humbled to have played a part in helping to save lives. We don't look forward to seeing these products being used, but we're confident that when called on, they will be ready." Great credit goes to Air Cruisers' escape slides. Company President John O'Donnell was quick to acknowledge Trelleborg's contribution. "We do not make our products alone," he stated. "A major part of our product's success is due to our suppliers – you should share the same sense of pride we at Air Cruisers have in helping to make the 'Miracle on the Hudson' a reality." Air Cruisers has used Trelleborg coated fabrics products for about 30 years – well before Reeves Brothers, as the supplier was formerly known, became part of the Trelleborg Group in 2006. The two companies now work closely together on product development using the Six Sigma quality management process for continuous product improvement. In all projects, each of the companies appoints a Six Sigma 'black-belt,' who acts as the project champion. "It's a true partnership," says Dye, while O'Donnell describes it as a "win-win effort for both parties." Trelleborg's products are under continual development. The company is currently performing fabric tests and qualifications for materials that Air Cruisers will use to manufacture escape slides for the new Boeing 787 Dreamliner. Other products in its range of more than 2,000 custom-coated fabrics have life-saving purposes, such as the de-icing fabrics used on small fixed-wing aircraft, and the gasket that seals the blood port of an emergency blood analyser. In the late 1950s, Air Cruisers, a pioneer of aircraft safety equipment, launched the first inflatable evacuation chutes. The chutes – now called evacuation slides – are the mainstay of its business, according to O'Donnell. "The most critical quality of our product is the ability to make high-strength yet lightweight inflatables that can retain air pressure," he says. "The balance between weight and performance is always the challenge in the aviation business. This is where the Trelleborg product comes in – the coated fabric that supports our processes and specifications." In addition to the strict quality controls exercised by Trelleborg on its fabrics, Air Cruisers' escape slides also have to meet demanding qualification standards set by the Federal Aviation Authority and gain installation approval for each type of aircraft on which they are fitted.
"We can't have a high-quality evacuation system without high-quality coated fabrics," O'Donnell says. "Incidents such as the 'Miracle on the Hudson' remind us why quality is so important in our products."

Coatings enhance fabric properties
Trelleborg Coated Systems, a part of business area Trelleborg Engineered Systems, produces a range of coated fabrics that customers assemble into finished products – aircraft escape slides are just one example. The concept is relatively simple: a carefully engineered chemical compound or coating is applied to a textile or fabric to give it enhanced physical properties, such as high tear-strength, tensile strength, heat-resistance or flame-retardation. Some products consist of two coated fabrics bonded together. Coated fabrics are normally delivered to the customer in roll form. The products delivered to Air Cruisers are typically nylon fabrics coated with polyurethane compounds consisting of primers, adhesion promoters and flame-retardants. The fabric used for the floor of the escape slide has a low coefficient of friction, to make sliding easy, and anti-static properties, to avoid any sparking, while the fabric for the air tubes, which keep the slide afloat, is air-tight. Both fabrics are flame-retardant and water-repellent.

Designer Silk Ties and Their Creators

Here you will find a series of brief critiques about fashion designers and their designer tie creations. There are those who have haven risen to prominence, others emerging and those who have fallen from grace. Regardless of status, each one has made a significant contribution to the designer silk tie, an everlasting style

A Designer Silk Tie in Fragrant Blossom
The Spitalfield flower pattern can be traced back to Huguenot weavers of the 1800’s. Today recognised as the trademark of the Timothy Everest brand. He’s given the flower new life. It’s essence captured tastefully in a new range of lovely, colourful silk ties that reflect the brilliant hues of nature. Be ware of imitations, this pattern is exclusive to Timothy Everest, it’s his signature. Turn the tie over and you’ll witness the finite detail that only a tailor could conceive. The Spitalfields flower in fragrant blossom all seasons. It doesn’t end there, the entire collection blooms into autumn, prevail the winter gloom. And for spring it’s even brighter, classic style in a contemporary framework, each tie, an example of fine English needle work

Tuesday, September 1, 2009

Textile Designer

A textile designer has to deal with a great range of duties and responsibilities.

A textile designer is generally responsible for the following activities.

General work performed by textile designers

:
  • Attracting clients by proper planning and presentation
  • Briefing the initial ideas and concepts to clients
  • Analysis and research works
  • Development of design
  • Commercial aspects of finished product

Textile designers primarily fall into two basic categories.

They either work for design agencies, manufacturers or retailers or they work as Freelancers.

A textile designer needs the following skills and qualities .

• A basic understanding of color, texture and pattern

• Creativity and artistic sense

• Adequate knowledge of various techniques and characteristics of different textile materials

• Knowledge of recent market trends

• Ability to work in a team

• Good communication skills

• Knowledge of relevant softwares used in textile designing

• Marketing, financial and administrative skills in case of freelancers

To create innovative and a wide variety of designs, textile designers usually works in knit, print or weave.

There are two basic fields in textile designing .

• Interiors ( home furnishing )

Fabrics for garments and accessories

Specialized works performed by textile designers are categorically listed below .

• Creating sample design set


• Liaising with clients to plan and develop designs

• Proper interpretation and representation of clients' ideas

• Creating sketches and designs for presentation to the clients

• Proper assessment of finished products

• Utilizing specialized computer aided design software (CAD) to create a great variety of designs

• Color, fabric and texture experimentation

• Possessing updated knowledge of new developments in the field of designing and production techniques

• Creating innovative design concepts

• Maintaining deadlines

• Attending trade shows regularly

• Getting updated with contemporary fashion trends in textile designing

• Developing and maintaining a network of business contacts

Indian Textile

India has a diverse and rich textile tradition. The origin of Indian textiles can be traced to the Indus valley civilization. The people of this civilization used homespun cotton for weaving their garments. Excavations at Harappa and Mohen -jo-Daro, have unearthed household items like needles made of bone and spindles made of wood, amply suggesting that homespun cotton was used to make garments. Fragments of woven cotton have also been found from these sites

The first literary information about textiles in India can be found in the Rigveda, which refers to weaving. The ancient Indian epics-Ramayana and Mahabharat also speak of a variety of fabrics of those times. The Ramayana refers to the rich styles worn by the aristocracy on one hand and the simple clothes worn by the commoners and ascetics. Ample evidence on the ancient textiles of India can also be obtained from the various sculptures belonging to Mauryan and Gupta age as well as from ancient Buddhist scripts and murals (Ajanta caves). Legend has it that when Amrapali, a courtesan from the kingdom of Vaishali met Gautam Buddha, she wore a richly woven semi transparent sari, which speaks volumes of the technical achievement of the ancient Indian weaver.

India had numerous trade links with the outside world and Indian textiles were popular in the ancient world. Indian silk was popular in Rome in the early centuries of the Christian era. Hoards of fragments of cotton material originating from Gujarat have been found in the Egyptian tombs at Fostat, belonging to 5th century A.D. Cotton textiles were also exported to China during the heydays of the silk route. Silk fabrics from south India were exported to Indonesia during the 13th century. India also exported printed cotton fabrics or chintz, to European countries and the Far East before the coming of the Europeans to India. The British East India Company also traded in Indian cotton and silk fabrics, which included the famous Dacca muslins.Muslins from Bengal, Bihar and Orissa were also popular abroad.(Muslin-a very thin cotton material) (Chintz-cotton cloth, usually printed with flowery patterns, that has a slightly shiny appearance). The past traditions of the textile and handlooms can still be seen amongst the motifs, patterns, designs, and the old techniques of weaving, still employed by the weavers.

Strengths Weaknesses

Strengths of Indian textile Industry
  • India has rich resources of raw materials of textile industry. It is one of the largest producers of cotton in the world and is also rich in resources of fibres like polyester, silk, viscose etc.
  • India is rich in highly trained manpower. The country has a huge advantage due to lower wage rates. Because of low labor rates the manufacturing cost in textile automatically comes down to very reasonable rates.
  • India is highly competitive in spinning sector and has presence in almost all processes of the value chain.
  • Indian garment industry is very diverse in size, manufacturing facility, type of apparel produced, quantity and quality of output, cost, requirement for fabric etc. It comprises suppliers of ready-made garments for both, domestic or export markets.
Weaknesses of Indian textile Industry
  • Indian textile industry is highly fragmented in industry structure, and is led by small scale companies. The reservation of production for very small companies that was imposed with the intention to help out small scale companies across the country, led substantial fragmentation that distorted the competitiveness of industry. Smaller companies do not have the fiscal resources to enhance technology or invest in the high-end engineering of processes. Hence they lose in productivity.
  • Indian labour laws are relatively unfavorable to the trades and there is an urgent need for labour reforms in India.
  • India seriously lacks in trade pact memberships, which leads to restricted access to the other major markets.
Outlook for Indian textile Industry
The outlook for textile industry in India is very optimistic. It is expected that Indian textile industry would continue to grow at an impressive rate. Textile industry is being modernized by an exclusive scheme, which has set aside $5bn for investment in improvisation of machinery. India can also grab opportunities in the export market. The textile industry is anticipated to generate 12mn new jobs in various sectors.

Textile Industry in India

Textile Industry in India is the second largest employment generator after agriculture. It holds significant status in India as it provides one of the most fundamental necessities of the people. Textile industry was one of the earliest industries to come into existence in India and it accounts for more than 30% of the total exports. In fact Indian textile industry is the second largest in the world, second only to China.

Textile Industry is unique in the terms that it is an independent industry, from the basic requirement of raw materials to the final products, with huge value-addition at every stage of processing. Textile industry in India has vast potential for creation of employment opportunities in the agricultural, industrial, organised and decentralised sectors & rural and urban areas, particularly for women and the disadvantaged. Indian textile industry is constituted of the following segments: Readymade Garments, Cotton Textiles including Handlooms, Man-made Textiles, Silk Textiles, Woollen Textiles, Handicrafts, Coir, and Jute.

Till the year 1985, development of textile sector in India took place in terms of general policies. In 1985, for the first time the importance of textile sector was recognized and a separate policy statement was announced with regard to development of textile sector. In the year 2000, National Textile Policy was announced. Its main objective was: to provide cloth of acceptable quality at reasonable prices for the vast majority of the population of the country, to increasingly contribute to the provision of sustainable employment and the economic growth of the nation; and to compete with confidence for an increasing share of the global market. The policy also aimed at achieving the target of textile and apparel exports of US $ 50 billion by 2010 of which the share of garments will be US $ 25 billion.

Types of textile fabric

  • Cotton canvas
  • Plastic fabric
  • Chiffon fabric
  • Cotton fabric
  • Crepe fabric
  • Furnishing fabric
  • Industrial fabric
  • Jacquard fabric
  • Laminated fabric
  • Narrow fabric
  • Non woven fabric
  • Quilted fabric
  • Upholstery fabric
  • Woven fabric
  • Yarn dyed fabric

Uses of textile fabric

Textile fabrics are used for multiple purposes. The primary uses of textile fabrics follows.
• Used for making home furnishing products like bed sheets, cushion, cushion covers.
• Used for making carpets and rugs
• Used for preparing crests, emblems and ribbons
• Used for preparing embroidered apparel and garments
• Used for making jute products like bags, rugs and many more
• Used for preparing apparel and garments for men, women and children
• Used for preparing textile accessories
• Used for making embroidery threads and sewing treads
• Used for making towels like beach towels, bath towels, kitchen towels and aprons
• Used for preparing woolen garments,blankets and woolen accessories
• Used for making yarns including cotton and knitting yarns
• Used for making mosquito nets, insect nets and bug nets
• Used for making tents and camps
• Used for making webbing belt, twine, rope and webbing straps
• Used for making plastic products

Textile fabrics are either natural fabric or synthetic. Our country is exporting natural textile fabrics since the ancient times. Synthetic fabrics are comparatively new and evolved with the continuous growth in textile industry. According to the need and constant innovation in textile fabrics, water proof, oil resistant, UV resistant as well as abrasive resistant fabrics are also available nowadays.

the textile industry of surat

Surat, an emerging city in the state of Gujarat, is known as the textile city of Gujarat. And, the epithet is perfectly suited to the city. The textile industry is one of the oldest and the most widespread industries in Surat. A major part of the city�s population is associated with the textile industry.

Overview of the Surat textile industry

The textile industry in Surat is mainly engaged in the activities of yarn production, weaving, processing as well as embroidery.

Surat is well known for its synthetic products market. It is mainly engaged in the production and trading of synthetic textile products.

Nearly 30 million metres of raw fabric and 25 million metres of processed fabric are produced in Surat daily. The city has several textile markets that exist since times immemorial. Zampa Bazaar, Bombay Market, JJ Textile Market and Jash Market are among them. Katat Gam, Magdalla and Udhana are the areas of Surat where manufacturing is mainly concentrated. In the course of time, people from various other places like Rajasthan and Kolkata settled in Surat in order to carry out their textile business.

Brands from Surat

The famous brands of Garden and Vimal textiles evolved from Surat. A few other brands like Parag and Prafful from Surat did become famous for a short time, but failed to create a lasting impression in the market.

Major markets

The main market for Surat�s textile products are India and other Asian countries. Around 90% of polyester used in India comes from Surat. However, international demand for its products is not very significant. The Middle East is the major export market for Surat�s textile products. According to experts, more improvisation in the quality is required to cater to the demands of the international market.

Growth

The Surat textile industry has grown considerably over time. As per recent figures, textile production in Surat has grown by 10% in the last 5 years, while the market for embroidery has grown from an almost negligible amount to around Rs. 30000 million over the same period.

Strengths

One of the main reasons behind the growth of Surat�s textile industry is the city�s ability to adapt to changes and the latest trends. The city is quick to respond to any changes in the preferences of people. The industrialists here have strong entrepreneurial skills.

Handloom Weavers

The handloom was devised about 2,000 years ago and was brought to England by the Romans. The process consisted of interlacing one set of threads of yarn (the warp) with another (the weft). The warp threads are stretched lengthwise in the weaving loom. The weft, the cross-threads, are woven into the warp to make the cloth.
Weaving remained unchanged for hundreds of years until John Kay devised the flying shuttle, which enabled a weaver to knock the shuttle across the loom and back again using one hand only. The speed of weaving was doubled; and a single weaver could make cloths of any width, whereas previously two men had sat together at a loom to make broad cloth. By 1800 it was estimated that there were 250,000 handlooms in Britain.
1) Richard Guest, History of the Cotton Manufacture (1823)

The warp was placed between two beams about five feet apart; half way between the beams the warp passed through a frame work of looped threads, called healds, each alternative thread of the warp going through one heald, and the other threads through the other heald. The healds were worked by two treadles, which upon one being put down by the foot, raised one half of the healds and every second thread of the warp; the shuttle which contained the weft was then thrown by the right hand between the threads which were at rest, and the second or alternative threads raised by the treadle and the healds; the shuttle was caught on the other side by the left hand, and the weft thus transversely shot between the threads of the warp.

(2) Edward Baines, History of the Cotton Manufacture in Great Britain (1935)

In 1738, Mr. John Kay, a native of Bury, in Lancashire, then residing at Colchester, where the woollen manufacture was at that time carried on, suggested a mode of throwing the shuttle, which enabled the weaver to make nearly twice as much cloth as he could make before. The old mode was, to throw the shuttle with the hand, which required a constant extension of the hands to each side of the warp. By the new plan, the lathe (in which the shuttle runs) was lengthened a foot at either end; and, by means of two strings attached to the opposite ends of the lathe, and both held by a peg in the weaver's hand, he, with a slight and sudden pluck, was able to give the proper impulse to the shuttle. The shuttle thus impelled was called the flying-shuttle, and the peg called the picking-peg (i.e. the throwing peg). This simple contrivance was a great saving of time and exertion to the weaver, and enabled one man to weave the widest cloth, which had before required two persons.